Ny first publication

My first publication:

I wish it were as simple as putting pen to paper and creating a masterpiece of literature.
I joined Romance Writers of America three years ago and quickly learned there was a lot to learn. Our chapter was invaluable with the workshops and business meetings. Our guest speakers shed light on different aspects of the craft and made the writing better.
The chapter members themselves are a constant source of support. I had a head bursting with story ideas and worked on about four projects at one time. I decided I had to commit to a manuscript, see it to “the end” and get with my critique partner.

The story facts are researched. Is there a murder? Brush up on police procedure. Is your heroine in bank security? Learn her job. Details make the story believable and put the reader in the characters shoes, experiencing what they experience.
The idea for my story came at a random moment. I read about a man asking if the Kindertransport could be included in a holocaust memorial, and he was told “I never heard of you.” this piqued my interest. I read more about the transport and researching led me to Grafeneck castle. An interesting place with its own a history. My story would take place in pre war Nazi Germany.

I knew my heroine right away. A nurse brought up to be compassionate. An innocent girl tossed into a circumstance beyond her control. Her faith challenged, she had to make a choice. Erika Lehmier learns Grafeneck castle is going to be changed from a monastery housing handicapped children to a killing center bent on destroying “useless eaters.”

My hero was more elusive at first. I thought American right away but the historical timeline wasn’t right. The story is set in 1939. American involvement wouldn’t happen for another two years. British? Possible but the last transport happened before the war started. My hero needed to be home grown. Nazi’s aren’t generally romantic heroes but what if he had an agenda? My decision to keep the story first person kept us out of our hero’s head but kept the heroine always wondering about him.

There were some challenges in writing about a place I had never been during a time before I was born. I interviewed a couple of war brides and read “Inside Nazi Germany.” to find out what life was like for the average person in 1939.

The word “honey” was never used in Europe. This term of endearment was an American import adopted by Europeans during the war. Being a southern girl, it was very difficult not to use the word. Of course, American slang and culture based expressions had to go. Germans are not “off base” nor do they “drop the ball” when they make a mistake. No Americanisms allowed. You don’t realize how often you use colloquialism until you have to go back and delete them all from a 300-page manuscript.

I wrote, rewrote, and reworked the story over again before I submitted. After torturing my critique partner, and a thousand rewrites, I was ready to submit my manuscript. I worked on my query letter and synopsis, and then I submitted. I got a very nice rejection recommending changes to make and a request to resubmit. I followed her instructions and resubmitted, it was then accepted.

I got to work with an editor and spent more time “fluffing and folding” until the manuscript was ready for print.
The book cover is beautiful. Grafeneck castle is seen in the background while the edelweiss flower is in the foreground, a faded swastika behind it. The symbolism of the edelweiss flower dominating a fading swastika: pure love’s domination over evil. Nicola Martinez is a wonderful artist.

Kindertransport is released on August the seventh from Wild Rose Press.

Ideas

I was talking with a bunch of teenagers and the subject came up about how I keep track of my ideas for stories, or ideas for the story I'm currently working on. When I got home I began to wonder how many other authors have the same type of system I do?

1.) I have a few notebook strategically placed around the house, the biggest right beside my bed.
2.) I have a dry erase board in my office, but that is mainly my writing schedule( or what I wish it was).
3.) I'm working on two series that I'm working on. For these I have a poster board with sectioned by story and any important details listed under the right one.
4.) Whenever I come up with an interesting idea I jot it down, who knows when it might come in handy.

How many of you other authors out there have similar process for recording you random ideas?

Writing to Fit the Genre

During a recent interview I was asked how I’m able to write both romances and mysteries. My first thought…writing is writing. Write in one genre and you can easily write in another. However, the next time I sat down to work on my WIP, I realized that’s not 100% true. Each genre has its own set of rules and ‘standards’. Knowing what the standards is essential if you want to sell in a particular genre. So how do you do just that?

Read
This might sound like something you already know or do, but read as many books in your genre of choice before you sit down to write one. Not only will you get a feel for the backbones of the genre but you’ll soon figure out what type of book you’d like to write. I’ll use mysteries and romances as examples.

Mysteries-do you like legal dramas or perhaps you’re hooked on books featuring an amateur sleuth.

Romances-are you a fan of romantic suspense or do you get whisked away to another time with historicals? And if you’re a fan of category romances, think about what line you’d like to write for. Is it Silhouette Romantic Suspense or maybe a sexy Harlequin Blaze?

Take Notes
The first time you read the book, do it just for pure reading pleasure. Then read it again with a notebook handy. Jot down notes about the hero/heroine, conflict, etc. then read a second book, making notes of any similarities to the first one. Do you see any pattern forming? While the stories are obviously very different, each genre has certain things readers and yes, publishers have come to expect.

Mysteries-a crime is committed. There’s a cast of suspects and a sleuth. And, yes, a few red herrings. In the end the guilty person is caught and hopefully punished for their crime.

Romance-there’s a heroine the reader can identify with and live vicariously through. A hero who both the heroine and reader can fall in love with. A conflict that keeps them apart and an issue they have to work out. Sexual tension is a must. How about that first kiss? And depending on the line or publisher, the first time the couple make love. And let’s not forget the happy ending.

Choose Favorites
Who are the genre’s bestsellers?
Pick up some books written by them and learn from the masters.Try and figure out what makes this particular writer so popular with their readers? Is it because each chapter is more suspenseful than the next? Is it because the author takes you on an emotional rollercoaster ride?

Some Publishers Make It Easier Than the Rest
Some publishers give us clues about what their ‘standards’ are. If a publisher offers guidelines, read them through until you know them by heart. Do they have a rigid word count? What type of plots are they looking for? What type of plots aren’t they looking for?

Writing to fit a genre can be the key to making your first or next sale.

Susan Palmquist is the author of three published novels and the upcoming paranormal romance, Sleeping with Fairies that will be published by Lyrical Press later this summer. You can check out her interviews with writers, editors and publishers at her monthly blog at Between the Lines www.blog.lyndacoker.net. And learn more about Susan and her work at www.susanpalmquist.com

The Long and The Short of It

by Janis Susan May

Whenever I am asked to blog, I start to panic. My gracious host/hostess tries to be reassuring and says, “Oh, it’s nothing – just two or three hundred words, that’s all.”

Two or three hundred words? That’s ALL? There are days I can’t convey “Good morning, I would like some coffee please,” in two or three hundred words. Two or three hundred words are nothing.

I suffer from hyper-verbosity, and someday someone should host a telethon for those of us who can’t say anything succinctly. It’s a curse. I had sold two full-length novels before I ever sold a short story – and then it was almost six thousand words long! Give me seventy five thousand words and I start to feel comfortable. One hundred thousand and I’m as happy as a… well, whatever is the happiest you can imagine.

I never cease to marvel at those writers who can condense a world, a story, a relationship and unforgettable characters into just a few thousand words. Category romance writers leave me open-jawed with admiration. Give us both the same characters and set-up; they create a tight little story focused on two people and the flowering of their relationship in just fifty thousand words. I take the same information and eighty thousand words later I’ve woven in not only their love story, but the feud between their grandparents, the history of how their town was settled, why the mayor is a crook and the best way to do laundry in hard water, and am just really getting started! Novellas? I call them chapters.

Someone once said that short stories were miniatures, limned with tiny delicate strokes and that novels were murals, painted with broad brushes. What does that make me? A paint sprayer?

Whatever it is, I like it. I like making the big gesture, telling not only the big story, but all the little stories that make up the big story. Why do certain characters feel that way? It isn’t enough just to state that the hero hates the color purple; to make him real to us we have to know why he hates the color purple. (Make up your own reason for this example – my current hero has no prejudice against purple, at least, not that I know of!)

I’m not saying that writing short is easy; quite the opposite. I’ve tried and I’m not very good at it. I admire people who can, and I know how hard they work at it. One of my dearest friends writes children’s books that run from a thousand to fifteen hundred words. Once I wrote a seventy-five thousand word mystery in just about the same amount of time as she wrote one of her children’s stories. Certainly I typed harder and faster, but I don’t know which one of us worked harder. She is amazed that I can produce so many words and create complex worlds. I am amazed that she can do so much with so few.

See? I told you. This short little blog entry (“… just two or three hundred words, that’s all…”) has already grown to almost six hundred, and I haven’t even begun to write about what I really wanted to say. However, out of consideration to you, I’ll let that wait for another day. Besides, I really do have to research why my heroine’s town’s mayor is a crook and why she has to do her laundry in hard water!

Hyper-verbosity. Someone really does need to do a telethon for us.

Making characters real: problems and crises

One of the ways you can make characters 'real' to yourself and to your readers is by giving them problems: real issues they have to struggle against and which readers can appreciate, empathise with and care about. To add to conflict and interest, characters can have more than one problem or issue to contend with.

Here are some problems characters can have:

1. Divorce - getting one, being divorced, starting over.

2. Being widowed - guilt, grief and starting over.

3. A child dying - for an added twist, the theme of a child given away at birth to adoption or who’s lost touch with parents through separation or divorce. Feelings of a the feeling that parent when that child dies or is killed. For child given away to adoption, now that child will never get in touch.

4. Identity - race, class, families. Who parents, sister, brother, grandmother, etc., are or were. Also what were their true natures?

5. A stranger who claims to be a relative getting in touch for first time or after a gap of many years. A missing relative suddenly appearing out of nowhere.

6. Loss of a job, parent, family member, home or lover.

7. Guilt - real or imagined.

8. A secret - it's being discovered, having to tell it, needing to keep it, having to overcome it.

9. Emotion - jealousy, possessiveness, inability to feel, coldness, anger, blinding hated, feelings of being unfairly treated or victimised, resentment, smothering love, fear of being left alone.

10. Time - juggling lives, fiting everything in, deciding when to have a child, deciding when to change jobs or when to move.

11. Neighbours or others’ dislike and resentments. Possibly some active and dangerous hatred.

12. Nature and environment - storms, fire, flood, dangerous animals, dangerous seas and skies. Quieter problems of nature - for instance for a sculptor: will this stone or wood crack? Or for a photographer: will this light or scene last?

13. Relationships - older man and younger woman, younger man and older woman, different faiths or cultures, different classes. The relationship of young man or woman with a stepchild older or as old as himself or herself. The relationship of a stepparent to a stepchild, or between new step-siblings - a sudden new sister, for instance, or brother.

14. Ill health - the character's own, or the illness of a parent, brother, sister or lover.

Lindsay
http://lindsaysbookchat.blogspot.com

Book Trailers And Other Ways To Promote

To start with I'll say I'm weeding my way through all of this and finding I really like making bookmarks and things like that. My newest venture was to have a book trailer made.


I think it came out good. I still have question like:

Will this help me reach readers?

Will they like it?

Does this type of promo and mailing out bookmarks help increase sales?

Another thing is I have a short story out with http://shadowfirepress.com and a novella out with http://pinkpetalbooks.com, should promoting them be any different?

So chime in and let me know what type of promo works best for you?

What as a reader do you like to recieve as promo items?

Making Time to Write

Where did April go?

Or for that matter the first three months of the year?

Maybe it’s a sign I’m getting old but time seems to fly by faster with each passing year. I know it’s my imagination because there’s the same amount of time in each day and month every single year…nevertheless, sometimes it gets me into a panic. How can I find more time to devote to my novels?
I stopped writing fiction (well, other than short stories) for almost ten years so these days I feel more compelled to make up for my lost time.
So here are some ways I’ve found to squeeze in more writing time. Hope some of them will work for you too.

Make It a Priority
If you’re serious about writing, it shouldn’t be too hard to put it on your ‘must do it’ list. Look at it as a chore you have to do, no questions asked.

Give up Something Else
One of my hobbies is gardening and as I live in an area where the growing season is short, I tend to get carried away once it’s time to head outside again. However, now my fiction writing is back in full swing, I’m looking for ways to cut down on garden chores. Now I can still enjoy my hobby but it doesn’t compete with my writing time.

Push Yourself
Back in the old days, I used to work on one project at a time but I’ve changed my approach. Right now I’m working on contemporary romance and three novellas. If you don’t think you can do it…and I didn’t, give it a try. It’s easier than you really think.

Write Anywhere
I was once the sort of writer who needed complete silence or I couldn’t write a word. Now I like either music playing in the background or I’ll even watch TV as I write. Train yourself to write just about anywhere and you’ll get more done. And be sure to take a notebook with you wherever you go. Pull it out when you’re waiting at the dentist’s office, even getting your hair colored.

Dinner in a Dash
I love to cook, but when I’m in the middle of writing a new book, I don’t want to be stuck in the kitchen. I also use the time after we eat supper to write fiction so I don’t want to waste time washing dishes either. My answer; plan a week’s worth of meals at a time and stock up the freezer or even pull out the slow cooker.

And here’s a book I highly recommend The Everything Meals for a Month by Linda Larsen. Believe me, it’s a writer’s best friend.

If you’ve found some more ways to squeeze in more time for writing, leave a comment. I’d love to hear your tips.

Susan Palmquist is a freelance writer and author of A Sterling Affair, Death Likes Me, and The One and Only. A Sterling Affair will be released in print by The Wild Rose Press on June 5th. Her newest book, Sleeping with Fairies, will be released August 3rd by The Lyrical Press. Read excerpts and learn more about Susan at www.susanpalmquist.com